The Unthanks: In Winter

When December draws near, The Unthanks will release and tour In Winter, a double-album, gatefold, dream-like winter fantasia, embracing both the dark and the light in the most ritualistic of seasons.  Moving in and out of focus, like a memory, a bittersweet hymnal to our shared winter experience.  Echoes of winter tunes known throughout the western world, mix with the traditional and the newly written, all passed with great care and love through The Unthanks filter.

In Winter is an abstract new work that captures the warmth and nostalgia of the festive season, the chill and darkness of the winter months, and the reflective ritualisms of the turn of the year; the end and beginning of the circle of life.  You will hear what a Tyneside band playing a German Christmas song in the style of The Beach Boys sounds like.  A Spanish carol performed by English folkies through the filter of Tom Waits.  A newly written tribute to the NHS.  An abstract take on A Ceremony of Carols by Benjamin Britten.  Traditional wassails and old stories coloured with folk noir and traces of Vincent Guaraldi's Merry Christmas Charlie Brown.  In typical magpie style, The Unthanks collect and reimagine, at once unique and familiar, inspired but natural and effortless.

In Winter features a new sound palette for The Unthanks, incorporating vibraphone, clarinet and saxophone into the core band that features vocal harmony, piano, violin, double bass, guitars and percussion.

The Unthanks tell stories that capture children.  They make music cutting edge enough to be BBC 6 Music regulars.  They can equally be found on Radio 2, 3 and 4, reframing history and drawing together the worlds of folk, jazz, orchestral, electronic and rock music.  The believability of their storytelling is admired by some of our best storytellers, Mackenzie Crook, Elvis Costello, Maxine Peake, Nick Hornby, Martin Freeman, Robert Wyatt, Charles Hazelwood, Ben Myers and David Mitchell, to name a few.

At the nucleus of a constantly evolving unit is the traditional upbringing of Tyneside sisters Rachel and Becky Unthank and the arrangements and writing of Barnsley composer, pianist and producer, Adrian McNally.  The Unthanks have been described as 'a take on tradition that flips so effortlessly between jazz, classical, ambient and post-rock, it makes any attempt to put a label on them a waste of time'.  

Using the traditional music of the North East of England as a starting point, the influence of Miles Davis, Steve Reich, Sufjan Stevens, Robert Wyatt, Antony and The Johnsons, King Crimson and Tom Waits makes The Unthanks a unique band, earning them a Mercury
Music Prize nomination and international acclaim along the way.

'The Unthanks are capable of such beauty that sometimes I can hardly bear to listen to them', Martin Freeman.
'There are few times when you discover a band and they stalk immediately to the heart of everything you love and hold dear', Maxine Peake.
'They run from the very root of folk music to the very tip of the branch', Elvis Costello.
'It's quite a rare thing now. They've really got everything you could want from music. And I'm very fussy', Robert Wyatt.
'Few of their contemporaries, within both folk music and the wider artistic spectrum, have such a keenly-honed ability to locate in a song the emotional essence that can, in just a single phrase or vocal elision, cut one to the quick', The Independent.
'The Unthanks have covered a lot of ground in the past decade and watching them evolve over this period has been truly inspiring', Phillip Selway (Radiohead).
'The honest and heartfelt way in which they deliver their music is a true inspiration to me', Martin Hayes.
'It hits you in your soul rather than your head. I love them', Adrian Edmondson.
'If there was such a thing still as having a favourite band like in the old days, I'd say they were my favourite band', Paul Morley.